"The groundwork of all happiness is health." - Leigh Hunt

Your mullet is greater than a haircut, it's a political statement – ​​explains a hair historian.

From Paul Mescale BAFTAS to Emma Curran on the Governors Awards “mixie” haircutthe 1970s inspired shaggy mullet is all over the place. But the now-popular “business up front and party in the back” style has a political history that stretches far beyond red carpets and the influence of pop icons. Like David Bowie.

In fact, mullet hairstyles feature prominently within the earliest Anglo-Indigenous encounters of the seventeenth century.

In 1622, the Plymouth Colonist Narrated by Edward Winslow. Abenaki is the name of a Native American leader. Samoset As: “The hair of his head is black, long at the back, only a little in front, not at all on his face.”

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David Bowie with eyepatch and mullet.
David Bowie playing Mullet in 1974.

Winslow linked this early mullet to contemporary understandings of medication and race. He wrote this “savage” They wore clothes “like Irish trousers” and were native Abinki: “complexioned like our English Gypsies, no or very little hair on their faces, shoulder-length hair on their heads, only cut off before.” “

Back when hair was the important thing. Community cultures, was written in regards to the mullet with imperialist and racist undertones. This style was related to individuals who were considered rebels by nature, a part of the rhetoric that later justified the usage of violence against them.

The art of the mullet

For the Renaissance artist Albrecht Dürer (1471–1528), the mix of short and long hair was a striking, exotic sight.

The artist's interest is clear in his 1521 drawings of Irish soldiers and peasants. Hair customs ahead of England. Like changes in clothing, the exotic popularity of hairstyles reminiscent of the mullet perpetuated a world of recent global connections.

Dürer himself spent an unlimited period of time. Hairdressing. Contemporaries mocked her, speculating that she only had a servant to style her hair. But he was loved for it, regardless Christ-like form.

Five Irish soldiers are depicted in their armor.
Drawings of Irish Soldiers and Peasants by Albrecht Durer (1521).
Berlin State Museum

The strange haircuts of Irish soldiers (which could have come to his attention during a Live in Antwerp street of English merchant residents) encouraged the Renaissance artist to think about cultural diversity.

In one The age of global consumerismKnowledge of a brand new hairstyle, reminiscent of a mullet, can immediately reflect on fashion, taste, and identity, together with the odd combination of short and long hair.

The sixteenth century also saw the rise of portraiture. Creative engagement with hair, as people thought in regards to the ways they were perceived by others. But short and long hairstyles were countercultural at first.

Dürer's contemporaries would have associated the millet with humiliating punishments. German authorities for examplecondemned the partial shaving of the rebels, i.e. half of the beard was cut every 14 days and the opposite half grew longer.

Only within the seventeenth century did this occur. “Outrageous” Long Hair Fashions Became popular for men in early modern Europe.

Philip IV, King of Spain by Diego Velazquez, painted in white ruff and black robes, with mullet-like hair.
Philip IV, King of Spain, painted by Diego Velazquez, with a mullet of hair (1623).
The Meadows Museum

However, some people described this style as an indication of ethical decay. The king likes. Philip IV of Spain Even men were forbidden to wear elaborate fringes and locks of hair in 1639. Yet the teenage king displayed his strength, masculinity and youth through a classy combination of long, wavy curls and a full fringe.

Prohibition didn’t curb the thrill surrounding hair just like the mullet The 18th century obsession with wigs A surprising hairpiece worn with short cut hair. Some wigs mirror mullet-like shapes with hair shorter within the front and longer within the back.

Back with a bang in style 1970s and 1980sAs haircuts are related to many years of cultural revolutions and rock and punk scenes.

It was a 1994 Beastie Boys song, The mullet headThey coined the word “mullet”.Released in the identical decade Doctors Song, (Millet) in 1999.

Since then largely discarded, the mullet is now in a renaissance. For mullet experts, reminiscent of Alan Henderson, writer of Mullet Madness!style is greater than a haircut:

It is a lifestyle, a frame of mind, an attitude … remarkable for its ability to harass, intrigue, entertain … shock, and even excite. Some find the mullet noble, elegant, even beautiful. Others find it crude, low-key, or rebellious.

The significance of hairstyles has modified throughout history, however the story of the mullet is one in all hair's power to disrupt and provoke societies world wide.